"Hello," she said warily.
She recognized the voice at the first word, with no need for the person to say, It's me. A year and a half hearing that voice day and night had engraved it in her memory. So she smiled and then laughed out loud, almost joyously. 'Orale, mi teniente! How great to hear your voice. How's life treating you? She was truly happy to hear that self-assured, composed tone of voice, that person who took things as they came. That person who knew herself and other people as well, because she knew how to look at them, and she had learned even more from people's silences than from their words. At the same time, in one part of her mind, Teresa thought, Chale, I wish I could talk like that, dial a telephone number after all this time and say, How's it hanging, Mexicanita, you silly bitch you, I hope you've missed me while you were screwing half of Marbella, now that nobody's watching you. We going to see each other, or have you moved on?
Teresa asked whether she was really out, and Patty O'Farrell laughed and said, "Of course I'm out, silly, out three days ago, and going from one homecoming to another-I don't sleep, and then they wake me up again! And every time I catch my breath or regain consciousness I've tried to find your telephone number-and I finally found it, about time, huh?-so I could tell you that those fucking dyke guards could not keep the old Abbe down, and that they can finally shove the Chateau d'lf up their asses, and that it's about time for Edmond Dantes and his friend Faria to have a long, civilized conversation somewhere where the sun doesn't come in through bars. So I thought you could take a bus, or a taxi if you've got some money, or whatever, and come to Jerez, because tomorrow they're throwing me a little party and the truth is, without you, parties are weird. How about that, puss? Jail-house habits are hard to break, huh? So, you coming or not?"
It was quite a party. A party at a country house in Jerez, what the Spaniards called a cortijo, one of those places where it took you forever to get from the archway at the entrance of the grounds to the house itself, at the end of a long gravel driveway, with expensive cars parked at the door and walls of red-ocher plaster and windows with wrought-iron grilles that reminded Teresa-this is where they come from, she realized-of old Mexican haciendas. The place was like one of those houses in the magazines: rustic furniture ennobled by antiquity, dark paintings on the walls, terracotta floors, beamed ceilings. And a hundred or so guests drinking and talking in two large rooms and out on the terrace with its grape arbor extending toward the rear, a roofed bar to one side, an enormous wood-fired grill, and a pool. The sun was just setting, and the dusty dull gold light gave an almost material consistency to the warm air, out on the horizon of green vineyards softly rising and falling into the distance. "I like your house," Teresa said. "I wish it was mine." "But it belongs to your family." "There's a big difference between my family and me." They were sitting under the grape arbor, in wooden chairs with linen-upholstered cushions, each with a glass in hand, looking at the people milling about nearby. Everything in keeping, Teresa decided, with the place and the cars at the door. At first she'd been ill at ease in her jeans and high heels and simple blouse, especially when some people looked at her strangely when she arrived, but Patty O'Farrell-in a mauve cotton dress, pretty embossed sandals, her blond hair cut short as she always wore it-reassured her. "Here," she said, "everybody dresses the way they want to. And you look terrific. That hair pulled back so tight, with the part down the middle, looks wonderful on you. Very native. You never wore it like that in lockup." "In lockup I didn't go to any parties." "Oh, yes you did!"
And the two of them laughed, remembering. There was tequila, Teresa discovered, and alcohol of all kinds, and uniformed servants moving about with trays of hors d'oeuvres. Perfect. Two flamenco guitarists were playing at the center of a group of guests. The music, happy and melancholy at the same time, rising and falling in gusts of sound, fit the place and the landscape in the background. Sometimes the people listening clapped, and some of the young women danced, arms high, fingers snapping, heels tapping, pretending to be Gypsies, and then conversed with their companions. Teresa envied the self-possession that allowed them to move about like that, greet people, talk, smoke in that distinguished way that Patty also had, one arm across their lap, one hand holding the other elbow, the arm vertical, the smoking cigarette between their fingers. This may not have been the highest of high society, she concluded, but it was fascinating to watch them-they were so different from the people she'd met in Culiacan with Guero Davila, thousands of years and miles from her most recent past and from what she was, or ever would be. Even Patty seemed an unreal link between those different worlds. That's the way you're supposed to act, she decided, and I wish I could learn how. And how nice to be able to observe it all, so unimportant and invisible that nobody even noticed you.
Most of the male guests were over forty, with dark jackets, good shoes and watches, and informal touches-open shirts, no tie. Their skin was tanned, and not exactly from working in the fields. As for the women, there were two definite types: good-looking girls with long legs, some a little ostentatious in their clothing and jewelry, and others that were better dressed, more sober, with fewer adornments and makeup, on whom plastic surgery and money-one permitted by the other-sat very naturally. Patty's sisters belonged to that second group: nose jobs, facelifts, blond hair with tips and streaks, that marked Andalucian accent that betokened good breeding, elegant hands that had never washed a dish, designer clothes. Around fifty the older one, forty-something the other, Teresa figured. They resembled Patty from the front-the oval faces, the way they twisted their mouths when they talked or smiled. They'd looked Teresa up and down with that same arching of the eyebrows-two circumflexes that took her in and put her down in mere seconds-before returning to their social obligations and their guests.
"Pigs," Patty muttered when they'd turned their backs, just as Teresa was thinking, Orale, what was I thinking, wearing this smuggler outfit. I should have worn something else, the silver bracelets and a skirt instead of jeans and heels and this old blouse that they looked at like it was a dishrag.
"The older one," Patty said, "is married to a lazy idiotic bum, that potbellied bald guy laughing like a hyena in that group over there, and the other one kisses up to my father the way he likes it. Although the truth is, they both kiss his ass."
"Is your father here?"
"Good god, of course not." Patty crinkled her nose elegantly, her whisky on the rocks halfway to her mouth. "That old cabron lives under glass in his apartment in Jerez… He's allergic to the country." She laughed maliciously. "Pollen and all that."
"Why did you invite me?"
Without looking at her, Patty finished raising her glass to her lips. "I thought," she said, her lips moist, "that you'd like to have a drink with me."
"There are bars to have drinks in. And this is not my scene."
Patty set her glass down on the table and lit a cigarette, although the previous one was still burning in the ashtray.
"Mine, either. Or at least not entirely." She looked around contemptuously. "My sisters are absolute imbeciles-throwing a party to welcome me back into society. Instead of hiding me, they show me off, get it? That way they can act like they're not ashamed of the lost sheep… Tonight they'll go to bed with their cunts cold and their consciences easy, like they always do."
"Maybe you're being unfair to them. Maybe they're really glad."
"Unfair?… Here?" She bit her lower lip with an unpleasant smile. "Would you believe it if I told you that nobody has yet to ask me how it was for me in prison?… Taboo subject. Just, Hey, sweetheart. Kiss, kiss. Like I'd been on vacation in the Caribbean."
Her tone was lighter than in El Puerto, Teresa thought. More flighty, frivolous; more talkative. She says the same things and in the same way, but there's something different, as though here she feels the need to give me explanations that in our former life were unnecessary. Teresa had been watching her from the first moment, when Patty stepped away from some people to greet her, and then when she left her alone a couple of times, going and coming among the guests. It took a minute to recognize her, to really believe it was her behind those smiles, the gestures of complicity with people who were strangers to Teresa, to really believe it was Patty accepting cigarettes, inclining her head while someone lit them for her.
When Patty returned and they went out to sit on the terrace, Teresa finally began to recognize her. And it was true that now she explained things more, justified them, as if unsure that Teresa would understand, or-the thought now struck Teresa-approve.
That possibility gave her something to think about. Maybe, she ventured after some reflection, the personal legends that work behind bars don't work on the outside, and once you're out you have to establish who you are all over again. Confirm it in the light of the street. Maybe Lieutenant O'Farrell is nobody here, or not what she really wants to be. And maybe, also, she's afraid that I'll realize that. My advantage is that I never knew what or who I was while I was on the inside, and so maybe that's why I'm not worried about what or who I am outside. I've got nothing to explain to anybody. Nothing to convince anybody about. Nothing to prove.